![]() ![]() ![]() “That could have been me” never holds more weight when it comes to growing up with brothers and sisters. The crushing expectations of that phrase takes on especially painful connotations in the face of tragedy, because in more ways than one, your sibling is a part of you: to lose that bond is to lose yourself. The tensions between siblings in search of parental approval and personal success carries the weight of equal opportunity at the mercy of the entangled mess of nature versus nurture. Please come back again soon to check if theres something new. Sweetie represents far more than a foil for Kay’s plans, she represents the person she could have been. We try to add new providers constantly but we couldnt find an offer for 'Sweetie' online. Through her eyes, Sweetie takes on a monstrous quality, but she’s always injected with a sense of wonderment. The character’s superstition and coldness render the action absurd and detached, presenting people not necessarily as they are, but through the filtered lens of a woman alienated from her feelings and placement in the world. Dillard (Sleight), Kiersey Clemons (Dope) plays a mysterious woman who washes ashore on a mysterious beach. Again and again, Kay becomes reduced to a supporting character in Sweetie’s life.Ĭampion lends a tremendous amount of empathy to both Sweetie and Kay. Sweetie’s presence has a domineering presence on the action and direction of the film, but Campion’s aesthetic holds true to Kay’s point of view. Even at Sweetie’s lowest points, and when Kay yearns for her mother to reach out and tell her everything will be all right, the whirlwind pulls everyone into another reality. Through Sweetie, viewers come to understand Kay’s temperament, as the former commands attention, with the latter left in the shadows. While the psychological ailments that torture Sweetie go unnamed, by the time she’s introduced, Kay scolds her for being “off her medication.” Sweetie has the effect of a tornado, causing those not firmly rooted in the ground to get caught up in her mania, unable to see the world beyond her storm. Her orgasmic cries fill empty nights and she playfully tongues the webs between Louis’ fingers, inspiring him to reignite his passion with Kay by licking at her shins, which she finds tremendously unnerving. Unwaveringly sensual, she seems to be in a state of undress for most of the film. It as though they become little children again.īut Campion and cinematographer Sally Bongers add experimental elements into the film that are striking, daring, and even weird.In stark contrast, Sweetie exudes sexuality. At one point, Kay and Dawn have a wrestling match on the bedroom floor when Dawn shoves Kay’s horse figurines in her mouth. An introspective young woman's life is upturned by the arrival of her maladjusted sister. ![]() The family arguments, small moments, Sweetie’s antics are often hysterical. With Genevive Lemon, Karen Colston, Tom Lycos, Jon Darling. Kay is fed up with Sweetie’s behavior her parents just let it spiral out of control, until it is too late.įor all this heavy material, Sweetie is a black comedy. Sweetie brings with her a deluge of problems that all leads back to the sisters’ relationship with their parents. Their strained relationship is made worse when Sweetie shows up on Kay’s doorstep unannounced. Sweetie is childlike, manic, and mentally ill. Kay is emotionally distant, sexually stunted, and slightly neurotic. What begins as a fishing trip with the boys quickly spirals out of control when they. It is the story of sisters Kay and Dawn, nicknamed Sweetie, who couldn’t be more different. Sweetie You Wont Believe It (101 Films UK) (Blu-Ray Region B). Sweetie is Jane Campion’s first debut film. I just wanted an excuse to watch this movie and write a bit about its director, Jane Campion. Day 5, Movie 5 – Sweetie – Female Experience in Jane Campion’s FilmsĬonfession: No one recommended Sweetie to me. ![]()
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